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After you, in its infancy, has completed its favorite sticker album, how long you stood contemplating each one? An hour? Two? Impossible to know? And all these figures, what you thought of them more real? Which soccer players or superhero you imagine coming out of those squares glued pages of the book, flying, dodging or releasing rays of their hands? In short, what all those little pictures made you most caught? Expanding a little question, and making the philosophical, all images of our lives are created by man or God, what images most relate to our memories, in a way that can be said to become a part ourselves? A St. Joseph holding a black baby Jesus in a white colonial church northeast, the pace and sophistication of a film of Pasolini, the colors of the Impressionist phase images of Kandinsky ... so strong and pervasive that, often, they take us altogether, leaving us in a state of deep contemplation.

From a much more visceral and metaphysics, that is the problem that the movie Snatch, conducted in 1979 by English film director Ivan Zulueta, will discuss and illustrate.

discovered this film in a way unusual. I was looking for music of rock groups of the Movida ("whirlwind" in English) was the nickname given to punk and new wave in Madrid in the early 80s. On YouTube, I found a song by Alaska y los Pegamoides titled "Bote de Colón " (which translates poetically as "Soap Powder Box"). All the lyrics merely a refrain repeated exhaustively that says "Quiero ser un bote de colon, y salir por la television advertising, Quiero ser un bote de colon, y salir por la television advertising. What satisfación be un bote de colon ".

The video accompanying the song is an excerpt from the film reviewed here.

surprisingly Scenes sophisticated and surrealistic, while games with excellent editing. I was curious, because I never heard of English cinema of that era that was not Almodóvar. Sure, Vicente Aranda and Carlos Saura still produced in that period, but they belonged to previous generations, the cinema had already been consolidated, politically left and thematically very English. The small free sample of Arrebato , translated into music video for the song new wave "Bote de Colón ," seemed to refer to a time most modern cinema of that country. From contemporary and bold, much like the Basque Generation of the 1990s and 2000s (Julio Medem, Bajo Ulloa, Alejandro Amenabar and Montxo Armendariz, just to name a few) .

The Basque but also living in Madrid Zulueta made a work of art imagery to the film Arrebato in 1979. Pedro Almodovar Cinematography by that time, the choice of lenses and speed is amazing, just like the interaction between films and 8 35mm, not to mention the performances and dialogue.

The film has an old-fashioned but accurate narrative in flashback. After a day of work in editing his new film, the filmmaker of trash horror set in Madrid José Sirgado car ride home to the Gran Via, the main artery of the English capital. On reaching his apartment, he gets the doorman of his building two stories that will guide the rest of the film's narrative: first, the arrival of a cardboard package, sent by Peter, a friend of Segovia that he did not via at least one year. And second, that Anna, his former girlfriend and actress in her latest film, the surprise return from his apartment that afternoon. Exhausted because of work and upset with the return of ex - who apparently had abandoned him after a serious fight - Joseph gets home, includes Ana asleep in his bed, takes a shower and opened the package from his friend Peter. Inside, there are two tapes: one tape, with images produced in Super 8, and other audio, where Peter's voice sound reels off a long letter, a monologue full of self-confession and depth, beginning a bizarre story that connects the two friends and his passion for the cinema. Throughout the film, the memories Pedro caught on tape are interspersed with the reunion of Joseph and Anna, permeated by sex, arguments, violence, heroin and cocaine. Never clear the real reason why Anna left him, but it is clear that Joseph is a man extremely rude and violent, and a flight without explanation on her part would be perfectly understandable and plausible. In the middle of their fights, they stop to hear the sound of Peter's letter to pieces, and will give account, as it reaches the end, that Peter wrote it with a very serious purpose.

With an age difference of some 5 to 10 years, the man made Joseph (played by Eusebio Poncela) and the young boy Peter (played by Will More) met by Marta (Marta Fernandez-Muro) cousin and friend of that color. Some years ago, Peter and Martha lived with an aunt of the two in a fifth country in the interior of Segovia, city median a few miles from Madrid. When Joseph, at the invitation of Martha, visited the home of two - in order to use the mansion as the set for his next film - Peter shows an enormous interest in the filmmaker, in a way that suggests homosexuality lightly. Peter, however, deeply eccentric and boy with a slightly whimsical, fed by Jose a strictly platonic attraction more than merely carnal. Like Joseph, Peter is fascinated by cinema and conducts amateur films on Super 8.

In only two times that José and Pedro meet in person - the first when Jose was invited by Martha and the second in Madrid that the filmmaker decides to visit his new friend on your own - Peter Joseph about to expose a strange condition that affects him every time he watches his own home movies. A state of near torpor followed by psychosomatic seizures worth of hard drugs, nicknamed him "Snatch." The great defect, the great bane of Peter are the images on film. They leave you sick and consumed, and yet he always seems to need more. And, somehow, Joseph also, though in a more timid and professional.

Peter symptoms are similar to a person who, for example, both admiring the painting a picture, develop the desire to be part of it. An escape from reality increasingly common nowadays. The only difference is that Peter suffers from this "desire" of a chronically pathological way, about to plunge into depression and cry while watching movies.

Some months ago, we learned in the second story of Peter, he is based in Madrid, conducting orgies and living life on the flute with the money from his aunt. In his spare time, he still shoots with a new device more modern Super 8, recently acquired. Peter realizes, however, that something has changed in the nature of "caught" that has been feeling lately, and this is what justifies the audiovisual correspondence addressed to Joseph If this happened, what he thinks will happen, from the findings that he was taken, Peter will need the help of his friend to look after their amateur films, if he will return no more.

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